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Quarantine

Quarantine
Director John Dowdle
Writer Drew Dowdle
Cast Jennifer CarpenterJay HernandezSteve Harris
Genre ThrillerHorror
Year 2008
Rating R

For a reality TV show about people who work while the rest of the world is asleep, reporter Angela Vidal and her cameraman, Scott, are assigned to cover a night shift with a pair of firemen at a Los Angeles fire station. After an uneventful evening, a 911 distress call in the middle of the night takes them to a small apartment building downtown. Police officers are already on the scene in response to bloodcurdling screams coming from an apartment on the third floor. Having stumbled onto a breaking story, Angela and Scott are determined to get it all on tape. Entering the apartment unit to investigate, they find an old woman in a nightgown, standing alone in the dark. She’s covered in blood, her breathing erratic and raspy. She seems sick. And when a policeman approaches to help her, she suddenly attacks--with her teeth. The group subdues the woman and tries to get help for the injured policeman. But when they attempt to leave the complex, they find that the CDC has quarantined the building. All exits are sealed and guarded by heavily armed men. Telephone, internet, TV, and cell phone access have been cut-off, and officials won’t give any explanation to those locked inside. The apartment complex and its residents quickly descend into panic. Trying to make sense of what’s happening, the inhabitants are forced to look to each other for help. Then there’s another scream from above. In the atrium lobby where everyone is gathered, a body falls to the ground from the third floor. And the attacks begin again. When the quarantine is finally lifted, the only evidence of what took place is the cameraman’s videotape.

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Surprise, surprise! “Quarantine” is yet another American remake, this time of a Spanish horror film titled “[Rec]”, that is a wasted attempt by Screen Gems to cash in on the success of the documentary-like horror pictures that have surfaced in recent years. Surely by now, most viewers have come to realize that none of these films have even the slightest amount of truth to them. Movies like “Cloverfield” and “The Blair Witch Project” rang in a successful run at the box-office, but did the industry actually think they could keep this up? Apparently they did and unfortunately, as atrocious as “Quarantine” is, the cash that viewers have thrown to the studio will undoubtedly increase the chances of another film of this sort getting the green light.

Honestly, the original picture “[Rec]” wasn’t anything worth getting excited over. The concept had been recycled from countless genre titles released before and while many will call it groundbreaking, I call it heartbreaking. Heartbreaking in my realization that this is what the horror genre has come to. Rather than digging deep for originality, most filmmakers would prefer to take the easy route to success. I say ‘most’ because there are a small number of filmmakers who would never sink this low just to earn a bigger paycheck. Unfortunately, the latter tend to go unnoticed.

“Quarantine” is a product of cheap scares. Rather than showcasing even one memorable scene worth sharing with fellow genre fans, the entire movie is an utter tease to say the very least. There’s a great amount of tension built, but it never goes anywhere. A lot of the kills take place off-screen and the filmmaker uses the dull technique of a helpless victim being pulled into the darkness which doesn’t do anything for me. For all I know, there’s a big party taking place in the unseen shadows. It’s just not effective.

The characters are absolutely lifeless. Even Jennifer Carpenter’s character is comparable to a cardboard cutout and she’s the film’s central character. Grant it, she does everything she can with her role, but it would have been a much better career decision to never accept this tedious part in the first place.

As lackluster as “Quarantine” is, it’s not as awful as several horror films I’ve seen recently. Nevertheless, it’s certainly not a picture I’d recommend to those looking for a true genre masterpiece. It’s your typical remake that completely derives the original of anything worthy it had going for it. Then again, the original wasn’t what I’d call good filmmaking either.

 
 


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It was whilst at the British premiere of [REC] we were told during an interview with directors Jaume Balaguero and Paco Plaza that there was already an American remake being made in the guise of QUARANTINE. One thing was sure - It had a lot to live up to.

Angela Vidal (Jennifer Carpenter, THE EXORCISM OF EMILY ROSE) and her cameraman Scott are assigned to make a documentary where they spend the night following a Los Angles fire crew. Just as they are beginning to think nothing is going to happen they alarm goes and they are sent on a routine 911 call which leads them to an apartment building where it’s been reported that there were screams coming from an old lady’s apartment. Police are already on the scene and when get into the lady’s apartment it’s clear something is wrong. When trying to comfort her one of the police offers is viciously attacked. When more residents start attacking each other those left decide they need to escape however when trying to get out they discover the building has been Quarantined by the CDC. They quickly learn that they are now cut off from the outside world and with more and more people becoming infected they now have to survive the terror all around them.

As far as remakes are concerned QUARANTINE is a pretty solid flick however if you have already seen [REC] then there’s not a lot new here for you other than it being in English. It has a few small changes but not enough for it to stand out from the original. For those of you who haven’t seen [REC] then I definitely recommend checking it out as it has some creepy moments and pretty decent jump scares.

The only negative thing about the movie was some of the camera work. Yes it's a shaky-camera movie in the vain of THE BLAIR WITCH PROJECT and CLOVERFIELD but at times it's made for the viewer and at times it was difficult to make out what was happening. Unlike [REC] it spent more time in the dark (which I suppose is realistic) but this didn't really help matters either.

When comparing it to [REC] it does fairly well but it was always gonna be hard to better what was already a brilliant horror but this was a decent attempt none the less.

 
 
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